A subject of press and public attention due to her extravagant Hollywood lifestyle, Hilton's media exploits started in the late 1990s, when she became a fixture in NYC's late-night circuit.[40] A combination of what has been described as "vulgar Trump-era exhibitionism and Girls Gone Wild antics" led publications such as Hamptons, The New Yorker, and particularly The New York Post, to often feature Hilton in their social columns.[40] After her pictorial by David LaChapelle and September 2000 article for Vanity Fair, Hilton was hailed as "New York's leading It Girl", whose fame was beginning to "extend beyond the [local] tabloids", by The Guardian in February 2001.[30] The scandal involving her sex tape, which arose shortly before the December 2003 premiere of The Simple Life, ultimately catapulted her into global fame and made her an overnight subject of media frenzy, paparazzi attention and public scrutiny. The sudden and unusual interest on her life led Entertainment Weekly to write that, "[w]e in the media have become Paris-ites".[296] Similarly, CNN.com described her presence as an "staple of the daily news cycles" that became "impossible to escape".[287] In an effort to "rehabilite her public image" and "capitalise" on the increased curiosity following the release of her sex tape, Hilton started to promote herself through different forms of mass media such as advertising, publishing and broadcasting.[287]
Og Niki Sex Tape
In 2000, a then-19-year-old Hilton drew attention from tabloids when she and Leonardo DiCaprio were seen together on the NYC late-night circuit. That led to one of her first magazine profiles, with Vanity Fair, in which she denied that they were involved.[406] She dated actor Edward Furlong in 2000, and poker player Rick Salomon, with whom she filmed her sex tape, in 2001.[407] She was engaged to fashion model Jason Shaw from 2002 to 2003.[408] They have reportedly remained friends since their split. She had a seven-month relationship with singer Nick Carter in 2004;[409] Carter opened up about their relationship in his 2013 autobiography. "Paris was the worst person in the world for me to hook up with," he wrote. "[She] fed my worst impulses as far as partying."[407]
In 2003, a sex tape featuring Hilton and then-boyfriend Rick Salomon was leaked onto the Internet shortly before the premiere of The Simple Life. Salomon filed a lawsuit against the company that distributed the tape, and against the Hilton family, whom he accused of tarnishing his reputation by suggesting that he had exploited Hilton.[428] Hilton later sued the company that released the tape, Kahatani Ltd., for $30 million for violation of privacy and emotional distress.[429]
Under the title 1 Night in Paris, Salomon began distributing the tape himself in April 2004 through the adult film company Red Light District Video.[430] In July 2004, Salomon dropped his lawsuit against the Hilton family after Paris Hilton's privacy lawsuit was thrown out of court. Salomon and Red Light District Video agreed to pay Hilton US$400,000 plus a percentage of the tape's sale profit.[431] In 2013, Hilton made a claim that she never made money off her sex tape:"[I] never made a dollar. I make enough money in nice ways. My fragrance [line] makes enough, I don't need to worry about that."[432]
Turn Off: Adele watching from outside (although who could blame her?), Nikki being stupid enough to tape it, and Jenny being stupid enough to allow the taping. And, as women who do AIDS Lifecycle, we can tell you that you don't want to be slamming someone too hard after you've been a bike seat for 10 hours.
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A senior Playboy executive confirmed the exclusive story in new documentary The Secrets of Playboy, saying that the magazine founder ordered his hidden archive of sex tapes, personal orgy videos and nude photo collection dumped into the sea.
She said: "One of the video department heads had a boat and they put all of those video tapes, after they were pulled from their cases, in a barrel and taken to sea. I had reason to believe that was true."
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Reports on the introduction of video recorders at various branches of the Goethe Institute. The characteristics of video are compared with those of films, tapes and printed matter. Video's advantage is that through it authentic, unprepared material can be presented, and it provides strong motivation. (Text is in German.) (IFS/WGA)
Hämoglobin-A1c (HbA1c) ist ein Hämoglobin (Hb)-Subtypus, der durch nicht-enzymatische Glykierung des N-terminalen Valinrestes der Hämoglobin-beta-Kette entsteht. Das gemessene Verhältnis von HbA1c zum Gesamt-Hämoglobin (5-20 % bei Diabetikern) repräsentiert den Mittelwert der Blutglucosekonzentration über einen zweimonatigen Zeitraum und stellt zur Beurteilung der diabetischen Stoffwechsellage eine Ergänzung zur Akutkontrolle der Glukosekonzentration dar. Ziel der vorliegenden Arbeit war es, einen amperometrischen Biosensor für die Bestimmung des medizinisch relevanten Parameters HbA1c zu entwickeln. Durch Selektion geeigneter Bioerkennungselemente und deren Immobilisierung unter Erhalt der Bindungsfunktion für die Zielmoleküle Hämoglobin bzw. HbA1c wurden spezifische, hochaffine und regenerationsstabile Sensoroberflächen geschaffen. Für die Entwicklung des HbA1c-Biosensors wurden zwei Konzepte - Enzymsensor und Immunosensor - miteinander verglichen. Die enzymatische Umsetzung von HbA1c erfolgte mit der Fructosylamin Oxidase (FAO) aus Pichia pastoris N 1-1 unter Freisetzung von H2O2, welches sowohl optisch über eine Indikatorreaktion als auch elektrochemisch nach Einschluss der FAO in PVA-SbQ und Fixierung des Immobilisats vor einer H2O2-Elektrode nachgewiesen wurde. Die Kalibration des Enzymsensors mit der HbA1c-Modellsubstanz Fructosyl-Valin ergab Nachweisgrenzen, die ausserhalb des physiologisch relevanten HbA1c-Konzentrationsbereich lagen. Aus der Umsetzung von glykierten Peptiden mit einer nicht HbA1c analogen Aminosäurensequenz, z.B. Fructosyl-Valin-Glycin wurde zudem eine geringe HbA1c-Spezifität abgeleitet. Für den Immunosensor wurden zwei heterogene Immunoassay-Formate unter Verwendung von hochaffinen und spezifischen Antikörpern in Kombination mit Glucose Oxidase (GOD) als Markerenzym zum Nachweis von HbA1c untersucht. Beim indirekt-kompetitiven Immunoassay wurde anstelle des kompletten HbA1c-Moleküls das glykierte Pentapeptid
Modelling noise propagation using Grid Resources. Progress within GDI-Grid. GDI-Grid (english: SDI-Grid) is a research project funded by the German Ministry for Science and Education (BMBF). It aims at bridging the gaps between OGC Web Services (OWS) and Grid infrastructures and identifying the potential of utilizing the superior storage capacities and computational power of grid infrastructures for geospatial applications while keeping the well-known service interfaces specified by the OGC. The project considers all major OGC webservice interfaces for Web Mapping (WMS), Feature access (Web Feature Service), Coverage access (Web Coverage Service) and processing (Web Processing Service). The major challenge within GDI-Grid is the harmonization of diverging standards as defined by standardization bodies for Grid computing and spatial information exchange. The project started in 2007 and will continue until June 2010. The concept for the gridification of OWS developed by lat/lon GmbH and the Department of Geography of the University of Bonn is applied to three real-world scenarios in order to check its practicability: a flood simulation, a scenario for emergency routing and a noise propagation simulation. The latter scenario is addressed by the Stapelfeldt Ingenieurgesellschaft mbH located in Dortmund adapting their LimA software to utilize grid resources. Noise mapping of e.g. traffic noise in urban agglomerates and along major trunk roads is a reoccurring demand of the EU Noise Directive. Input data requires road net and traffic, terrain, buildings and noise protection screens as well as population distribution. Noise impact levels are generally calculated in 10 m grid and along relevant building facades. For each receiver position sources within a typical range of 2000 m are split down into small segments, depending on local geometry. For each of the segments propagation analysis includes diffraction effects caused by all obstacles on the path of sound propagation
śnikowych. Klasyczne metody projektowania nie uwzględniają złożonych charakterystyk różnych typów układów napinania, dlatego też w kolejnej części artykułu zamieszczono sparametryzowane dyskretne modele fizyczne wybranych typów urządzeń napinających, stosowanych powszechnie w górniczych przenośnikach taśmowych: sztywnych, grawitacyjnych, hydraulicznych i nadążnych. Dla właściwego zobrazowania i porównania pracy opisanych układów napinania przedstawiono przykładowe wyniki badań symulacyjnych przeprowadzonych na dyskretnym modelu przenośnika taśmowego. Przedstawiona w artykule metodyka została weryfikowana poprzez badania przemysłowe oraz realizacje wielu złożonych projektów przenośników taśmowych wymagających przeprowadzenia badań symulacyjnych dynamiki pracy modeli urządzeń napinających taśmę (Kulinowski, 2012). 2ff7e9595c
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